Here are the best Halloween horror specials and films to see in 2022

Is there anything more than Halloween season?

Yes, horror is covered at Polygon all year. We’ve got our rolling lists of the very best horror films you possibly can watch at residence and the very best horror films on Netflix which might be up to date each month of the yr.

Halloween is, however, a special time of the year for horror lovers who aren’t around all year.

Polygon has created a Halloween Countdown calendar for the past two years. Each day of October, Polygon will present a Halloween-friendly TV show or film to watch at home. We’re delighted to deliver that again as soon as once more, with 31 spooky alternatives to maintain the temper going all month lengthy.

Day by day for the complete month of October, we’ll add a brand new advice to this Countdown and let you know the place you possibly can watch it. You can curl up on the sofa and enjoy a terrifying and entertaining host Halloween surprises.


Oct. 1: Audition (1999).

In Audition, Takashi Miike’s 1999 psychological horror-thriller, love is a consensual fiction. Shigeharu, a widower, has lost his husband to a terminal illness. His son urges him to go out again on the planet to find someone. Aoyama accepts a proposal from his friend, a movie producer, to take part in an audition for a movie that is not yet made. The purpose of the audition is to find a potential bride among the candidates. Asami Yamazaki is a former ballerina who has a dark past. He leads his search to the end.

As Aoyama grows nearer to his new love curiosity, he finds himself caught deeper and deeper in an internet of intrigue that threatens to tear him aside emotionally, psychologically, and sure — even bodily. There’s something darkish inside Asami, sure, however there’s a latent darkness within Aoyama too, arguably even darker. Asami has made that darkness her own, that is the only difference.

Miike’s movie holds its playing cards comparatively near its chest for many of its run time, unspooling its tightly wound thriller like garrote wire earlier than peeling again its pores and skin of meet-cute artifice to disclose a pulsing mass of horrors roiling beneath. The movie descends into a macabre fugue of assumptions, misdirections and cinematic tricks of hand, with desires almost real that seem set towards a terrifying reality. These are just phrases. Only ache could be trusted. —Toussaint Egan

Audition You can stream it on Arrow Video and Hello-Yah! free of cost with advertisements on Tubi. It’s also free to stream on Kanopy for those who have a Kanopy library card. It’s also out there for digital rental or buy on Vudu Apple.


Oct. 2 – The Vanishing (1988).

Picture: The Criterion Assortment

It’s not a horror film, per se, and but Stanley Kubrick stated that The Vanishing It was, in fact, the most frightening movie he had ever seen. This Dutch thriller from 1988 — usually referred to by its unique title Spoorloos, in order to not confuse it with an inferior 1993 American remake by the identical director, George Sluizer — performs it cool, like a easy lacking individual case. Rex, Saskia and their younger partner are on a road trip through France. They’re taking a break at a service station when Saskia abruptly, and utterly, disappears.

Initial horror is in the banality of the situation: the sensation that it could happen at any moment, to anyone. This is emphasized by Sluizer’s fact-based realism in his location capturing. Then, barely greater than 20 minutes in, he wrong-foots the viewers with an abrupt shift: We’re following Raymond, a contented French household man who seems to be rehearsing a kidnapping. The mystery of what happened to Saskia appears to be solved. What will happen next?

The way in which the movie — primarily based very intently on Tim Krabbé’s novella The Golden Egg — skips so rapidly previous the anticipated construction of a thriller thriller should sap pressure, however actually it builds an nearly philosophical unease. Raymond, played by Bernard-Pierre Donnadieu with chilling brightness, leads us by the lane. “how”Because of his crime, the “why”This becomes a more gnawing and troubling question. We jump ahead three years to find Rex obsessed with finding out what happened to his misplaced lover. When a solution is found, we join his hunger for it and watch him reach what could be the most shocking ending of any movie. This can be a minor masterpiece of existential terror. —Oli Welsh

The Vanishing It is available to stream on The Criterion Channel or digitally rent or buy on Apple Amazon.


Oct. 3 – Rampant (2018)

A prince in fancy white 17th century Korean garb stabs a screaming zombie right through the stomach in Rampant.

Picture: Nicely Go USA Leisure

One of the many joys of horror is its array of subgenres, and the subgenres within subgenres that spool from that. Consider the monster film as an example. It’s a subgenre of horror by itself, and inside it you might have the vampire film, the werewolf film, and the zombie film, simply to call just a few. You can then dive deeper to discover something like RampantThe zombie subgenre is paired with an unlikely pairing: The historic courtroom drama interlude.

The film is set during the seventeenth Century, under the Joseon dynasty of Korea. The film is full of political intrigue: The protagonist is an conceited younger prince referred to as again residence after his brother’s demise solely to search out political machinations already in progress when he arrives. The courtroom is trying determine how to handle the closing of Qing dynasty (China, where our protagonist grew-up) with completely different factions.

Then there are the zombies. Yes, a zombie epidemic occurs, recalibrating this royal battle’s significance for some (but not all) of its gamers. Our protagonist discovers this on his method residence, and makes an attempt to persuade his father (and his father’s advisors) to do one thing about it. This results in some stunningly brutal swordplay in a style mashup for all time. –Pete Volk

Rampant It is available to stream on Hello-Yah! and FuboTV and Viki. You can also get it free of charge with ads on Tubi, Crackle and Plex, Pluto TV and Freevee. It’s also out there for digital rental or buy on Amazon, Apple, VuduGoogle Play, and.

Oct. 4, 1966: Seconds (1966).

A man with wrappings over his face wears a suit and stands in front of a light. Two men stand around him, one wearing a doctor’s coat and the other pointing at him.

Picture: Paramount Footage

Werewolves, vampires, zombies, and aliens don’t have anything on the unstoppable means of getting old. All of us will grow old, and life will get more difficult. The only person who can help us is Loss. Seconds was designed by John Frankenheimer to address such midlife terrors. It allowed Arthur Hamilton, a New York banking executive, to pretend his death, reconstruct his body under the guidance of Rock Hudson, and then move to sunny Southern California with a young, hot Tony Wilson. As a small creature trampled beneath the Santa Barbara solar’s sunlamp, we see Hudson spiral into paranoia and remorse. We also witness his alcohol-fueled breakdowns and grape mashing. For sure, the grass isn’t greener, and the one factor scarier than getting outdated is staying younger.

The movie met boos at Cannes and puzzled critics who have been accustomed to main man Rock Hudson being simply that — a standard main man. The movie has aged well, and pun was absolutely intended. James Wong Howe’s cinematography, nominated for an Academy Award, holds the viewer inches from Hudson’s face, bends actuality by a fish-eye lens, and in some way makes stunning younger our bodies into nauseating bundles of limbs and flesh. Hudson, who is now indifferent to his Private Model for many viewers below the age of 70, subverts his Hollywood beauty with the humble efficiency of someone in full collapse. —Chris Plante

Seconds can be streamed free of cost with ads on Pluto TV or free with a Kanopy library card. It’s also out there for digital rental or buy on Amazon, Apple TVGoogle Play, and.

Oct. 5: Bride of Chucky (1998)

The fourth film of the wickedly humorous Little one’s Play franchise takes the killer doll collection in an thrilling new path. Bride of Chucky Andy, the younger boy adopted in the first three films by Chucky, is ditched and he is replaced by Nick Stabile and Kathrine Heigl, who are clueless children who take two murderous dolls along on a highway trip and start to suspect each other when their bodies begin to drop.

The sinister inversion of the teenager highway journey film can be enjoyable sufficient, however it’s the addition of Jennifer Tilly that basically makes Bride of Chucky sing. For the uninitiated in the Little one’s Play universe: The Chucky doll has been possessed by Charles Lee Ray (Brad Dourif). Tilly performs Ray’s former lover and confederate, Tiffany, who brings the doll again to life and turns into a murderous doll herself.

The result’s two {couples} road-tripping collectively however unable to speak with one another. Heigl and Stabile’s Jade and Jesse are your typical youths in love — nonetheless attending to know one another and never absolutely trusting but — whereas Chucky and Tiffany’s bickering and delicate manipulations make this a joyous and twisted enjoyable time. Ronny Yu’s stunning imagery is added (Freddy vs. Jason) and cinematographer Peter Pau (Crouching Tiger, Hidden Dragon; The Killer) and you’ve got a franchise sequel properly price your time. —PV

Bride of Chucky It is available to stream on Peacock. It’s also out there for digital rental or buy on Amazon, Apple TVGoogle Play, and.

Source: Here are the best Halloween horror specials and films to see in 2022

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